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Rhapsody

LOD / Josse De Pauw & Frederik Neyrinck

music theatre
Thu 31 Mar 2022 -20.00
Concertzaal
introduction by Klaas Coulembier 19.15
start 20.00
expected end time 21.35

Standaard €24.00

Reductie -26 €12.50

All prices include booking fees.

Beauty and consolation from the minds of some great thinkers

‘Tell me what makes this life worth living’, that’s how Wim Kayzer opened a discussion with artists, scientists and philosophers in his TV series Van de schoonheid en de troost (Of Beauty and Consolation). Joining forces for a second time – after their collaboration for Zolang hij niet zichzelve kent (As long as he does not know himself) – Josse De Pauw and LOD composer Frederik Neyrinck adapted the series. The result, Rhapsody, is a whimsical performance, an ode to thinking, doubting and not knowing.

 

programme

Frederik Neyrinck (1985)
Rhapsody (2022)

performers

Josse De Pauw: concept & acting
Frederik Neyrinck: composition
Asko | Schönberg: musical performance
text extracts from the interviews with Jane Goodall, Georges Steiner, Vladimir Ashkenazy, John M. Coetzee, Karel Appel & Edward Witten from ‘Van de schoonheid en de troost’ by Wim Kayzer
Joey Marijs: percussion
Anna voor de Wind: clarinet & bass clarinet
Koen Kaptijn: trombone
Jellantsje de Vries: violin
Sebastiaan van Halsema: cello
Anne Marcq: scenography
with images from the LOMO archive by Max Pinckers
Luc Schaltin: lighting design
Pino Etz: light
Brecht Beuselinck: sound
Wim Piqueur: video design
Bart Mommerency: technique
Anne Vanderschueren: French translation
Kristel Deweerdt: production management

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Josse De Pauw: concept & acting
Frederik Neyrinck: composition
Asko | Schönberg: musical performance
text extr

Thu 31 Mar 2022 -20.00
Concertzaal
introduction by Klaas Coulembier 19.15
start 20.00
expected end time 21.35

Standaard €24.00

Reductie -26 €12.50

All prices include booking fees.

partners

production: LOD muziektheater
coproduction: Asko|Schönberg (Amsterdam), Klarafestival / KVS (Brussels), Concertgebouw Brugge & Le Manège (Maubeuge)

With thanks to Jannes Dierynck, Victor Hidalgo, the theatre workshop of Het Nationaal Theater and the pa

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